Much remains enigmatic: most children will require the aid of an older reader to make sense of the historical context, and may be put off by the dark and lonely vistas. Other details link the hero's fate with theirs, but the final image is uplifting. Barren land awaits above, with a single structure: 'Must be an Indian reservation, he thought.' Two children sit against an adobe ruin with nametags around their necks, explaining they are 'from the camp.' Details in the meticulously rendered watercolors reveal that the children are referring to an internment camp: a row of abandoned identical wooden houses sit on the desert floor of a valley (and hark back to the deserted Indian reservation) thousands of children with identical tags chant 'Take us home!' searchlights from high watchtowers follow them as they flee. Say's use of light and dark has a haunting effect, as the man first surfaces in an underground tunnel with a faint glimmer of sunlight the light then shifts from horizontal to vertical as it illuminates a ladder. In the next spread, the man, wearing a red helmet and vest that match his vessel, hurls over a waterfall the sky resembles billowing black smoke that blends with the rocky cliffs ('The man closed his eyes and held his breath'). The opening image shows a man dwarfed by an ominous, craggy stone edifice at the edge of a shore, as he prepares to step into his kayak.

Breaking from such previous works as Tea with Milk and Grandfather's Journey, which featured a realistic sequence of events, Caldecott Medalist Say here enters the realm of dream or rather, nightmare.

The home of the brave